They Went Th’Addaway!!
Tom Froehlich
I was biking home.
My list was made. The day planned.
And then in a moment, my day was changed by an image I almost allowed to
pass by, but was captured in my peripheral vision.
It balanced on a
pedestal, it’s mass floating, impossibly defying gravity. A massive iron
sculpture, morphing human and manatee. Graceful in the clumsy way manatees can
be. Spotted with rust from the salty ocean air.
Gym, sales calls,
writing. That was my day. The day
I had planned.
Yet, I found
myself leaning my bike against the cyclone fence and walking through the gate
into what could have been a junk yard, scattered with lumber and discarded iron
from machinery and construction seemingly long past purpose. I heard a voice
call from above, “Hey! How are you today?”
Looking up, a man was
climbing down from a desert palm, pruning saw in his weathered hand.
“My name is
Addaway,” he said, extending his hand.
“I saw your sculptures
on the street and just stopped to look.”
“Please do, there
are things everywhere,” he said, leading me through a labyrinth of creations
filled with sculptures and mammoth abstract paintings and ceramic art. There
were wooden altars carved with swirling jungle vines and soaring birds. Ceramic urns taller than myself inscribed
with brightly glazed totemic symbols.
A cluster of architectural sculptures made of brightly painted, spiraling
finials, towers, parapets and biomorphic orbs occupied a tabletop.
He shared that these
sculptures were actually models for a city he envisioned. I commented on how
they were somewhat Dr. Suess-esque, and he responded, “Actually they are
Addaway-esuqe,” with a humble grin, holding no arrogance or pride.
Returning his grin
I said, “Yes. You’re right. Sorry.” I have no doubt that in his mind he saw
people coming and going in this town. Living their lives in this place of
whimsy and Addaway-esqueness.
Their lives themselves becoming whimsical as a result. Whimsy begetting whimsy.
“How incredible
you get to do all of these things. Or rather you chose to do all of these
things,” I corrected myself.
“It’s more like they
chose me.” He said it matter-of-factly as if it there was no other possible reason
for him to be on this earth. Just like the tree he had been pruning was here to
provide shade. As simple as that. It was his purpose. His destiny. Whether
or not his art was sold. Whether not it was revered by the masses, he existed
to create art.
He had no limits. No
fear of creating in a medium perhaps unfamiliar to his weathered hands. No
preconceived notions of what his art should be. What he should create. In fact,
there were no “shoulds”. He just created. That is why he exists and that is all
that matters. Perhaps that was just my imagination and perhaps at that moment
even that didn’t matter. If it was
my imagination that is. Everyday reality had no place here. Here on this beautiful
Venice morning of otherworldliness.
“Please, come for lunch
sometime. Everyday at 11:00. Muhammad
here is a fantastic cook,” he said, motioning to a man walking through the
gate, loaded down with groceries. “He makes fantastic Middle Eastern food.”
As I walked out
the gate, Addaway was climbing back into the palm tree, pruning shears in
hand. He waved and called out,
“Thank you for stopping Tom. Remember lunch is at 11:00,” making a point of
calling me by name.
I had interrupted
my day. My schedule. My list of “what must happen today things” and found
magic. Or maybe it found me. I
learned that not everything that must happen today must actually happen. That
some of the most important things that must happen are not even on the list.
“Addaway.” It reminds me of the old westerns and
the line “They went thattaway!”. I’m not
sure if this Renaissance man
chose a life of creative whimsy or if it chose him. What I do know, is when it’s time for me to choose, I am
going to go “Th’Addaway”. Who
knows? There just may be magic in that direction. At least that’s what I found the day I accidentally happened
into a whimsical garden. And for
me, that is reason enough.
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